Author: Lavina Melwani

Lavina Melwani is a New York-based journalist who writes for several international publications. Twitter@lavinamelwani & @lassiwithlavina Sign up for the free newsletter to get your dose of Lassi!

Art

he casual browser of Indian art may not know this but Indian modern art has a definite French and strong connection. It’s hard to believe but over a hundred Indian artists have called Paris home, studied at various French institutions and made their life far from the heat and dust of India.

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Shiraz – A Romance of India’, one of India’s films of the silent era, has the distinction of being reviewed twice in The New York Times – once in 1929 when it was first released and now in 2019 in its new avatar. The film which has had a 2 K restoration by the British Film Institute and a fabulous new musical score by Anoushka Shankar has been shown in several US cities

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On Valentine’s Day we share some of the fabulous chocolates and desserts created by Indian pastry chefs, culinary experts and entrepreneurs – and to add some extra sweetness, we also unearth their personal romance tales, from New Delhi to New York! Meet Divya Burman, Shefalee Patel, Monica Bhide, Surbhi Sahni and Aarti Mahtani Raman – taste their chocolates and hear what Valentine’s Day mean to them. We ran this story last year – and this year it’s twice as sweet!

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No matter which part of the world Indian immigrants live in, they each carry with them their special memories of India filed away in their heads and hearts. For these diasporic Indians, many now with hyphenated identities, India’s Republic Day does bring in a whole lot of memories and a feeling of pride in being a part of India, and India being a part of their emotional DNA.

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Art

Calcutta was once known as ‘City of Palaces’ and in the days of the British Raj there were opulent buildings built by the rulers as well as the Bengal elite. Today many of these grand structures are in decay and a passionate chronicler of these disappearing stories is Prabir C. Purkayastha, award-winning photojournalist who tells evocative tales through his camera.
Purkayastha was recently in New York where the Sundaram Tagore Gallery showcased Stories in Stone: Colonial Calcutta, images which tell the story of grand edifices in decline.

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When Chandrika Tandon first came to America at the age of 24 to interview for a job at McKinsey& Company, she had no American degree and no green card. She did not even own a western outfit, interviewing in a sari and chappals, wearing a borrowed coat. Yet within a few years she went on to become a partner at this prestigious company, the first Indian-American woman to be selected.

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