Like all New Yorkers, playwright Rehana Lew Mirza has turbulent memories of 9/11 when the world seemed to come crashing down. That night, aware of the rising backlash against Muslims, she and her sister remained barricaded in their one bedroom apartment, watching the horrific images on TV.
A week after that, just as they were struggling to get back to work, Mirza found a flier pinned to her door: it had the image of a missing South Asian woman – and someone had burnt holes into the paper, into the eye-sockets and mouth with a cigarette.
It was at that chilling moment that she knew that for New York Muslims the tragedy was a double whammy – not only were they too the victims but were also being demonized as the perpetrators.
Her response was the play ‘Barriers’. Now on the tenth anniversary of 9/11, ‘Barriers’ is back.
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