Browsing: Features

Ben Kingsley nothing is ever forgotten or lost – just filed away for the future.
“I am fascinated by people. I love watching them. I do have a vast memory bank and I can access them,” says Kingsley. “It’s a very lucky gift that I have, being able to absorb things.

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When the writer Gita Mehta was growing up in Orissa, a small ancient image of Ganesha was unearthed in a mound of dirt as the foundations of their family home were being laid. “I’ve always kept the Ganesha which came out of my parents’ home,” confided Mehta when I interviewed her once in New York. “That is the one image that goes with me wherever I go. He came out of the Indian soil so to me he’s like an umbilical cord that connects me to India. So it doesn’t matter where I live – he is my India.” A lovely book from 2009, to check out this Ganesh Chathurthi.

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Janmashtmi – Lord Krishna is the Cosmic Cowherd, the mischievous deity that Hindus love the most for his pranks, for his butter-thievery, for his melodious flute, for his romantic interludes with Gopis, the milkmaids.
He fought demons, danced on the mighty serpent’s head and lifted Govardhana Hill with his little finger, using it as an umbrella to protect the people from torrential rains.

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Art

Home and exile are two of the most evocative words in the English language, and they are seared into the work of Zarina Hashmi, noted printmaker and sculptor, who was born in Aligarh in India. Zarina, who goes by only her first name, has been a nomad, a transient who has taken many journeys, crossed many borders. The floor plans of past homes, the many stories of dislocation and the sweet lost language of Urdu are embedded in her prints.

Having worked in relative anonymity for 35 years from her small loft in Manhattan, NY, Zarina, 75, is now suddenly on the international art world’s radar. The prestigious Guggenheim Museum is showcasing “Zarina: Paper Like Skin”, the first retrospective ever of an Indian woman artist, featuring 60 works dating from 1961 to the present.

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“As many of you will come to know in the weeks and months ahead, the door to my office has a sign for all to see every time they walk through my doorway. The sign says, ‘Can’t Is Not an Option.’

These are the words of Nikki Haley, nee Nimrata Randhawa, the feisty new Governor of South Carolina, the Indian-American daughter of Punjabi immigrants. Haley, 38, has gone from being an obscure Southern legislator to a nationally known rising star on the Republican circuit.

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